Saturday, 6 September 2008

Mp3 music: Wolfgang Voigt






Wolfgang Voigt
   

Artist: Wolfgang Voigt: mp3 download


   Genre(s): 

Techno

   







Wolfgang Voigt's discography:


Diskoschleifen 2000
   

 Diskoschleifen 2000

   Year: 2000   

Tracks: 5
20 Minuten Gas Im November / 20' To 2000.November
   

 20 Minuten Gas Im November / 20' To 2000.November

   Year: 1999   

Tracks: 2






Few artists potty claim to be as prolific as Wolfgang Voigt, an creative person from Cologne, Germany, wHO has recorded diverse styles of techno under more than names than one can buoy envisage. Beginning with the initial success of his Love Inc. caterpillar tread, "Enchantment Atlantic Excess," Voigt has since eclipsed all of his gifted peers by cathartic records at a unrelenting pace. Rather than flooding the techno community with his nonstop releases -- and partially in assistance to the galvanizing potential hearer -- he releases his records under different list calling, making it look as though the burgeoning Cologne scene is a great deal bigger than it real is. Yet no matter how impressive Voigt's production, his importance as an advanced techno producer in the late '90s cannot be unmarked, particularly his experimental Studio 1 records.


Before Voigt became known as Mike Ink, Studio 1, Gas, or M:I:5, he launched fellow Cologne artist Jörg Burger and his Trance Atlantic label in 1991 spell the couple was living in Belgium, with the Love Inc. record "Spell Atlantic Excess" as the low gear acquittance. This particular record reflected the metre washed-out by the couple in England during the late-'80s acid house explosion, demur the two invest their have twist on the acid sound for "Spell Atlantic Excess." This record went on to become a European reach, finally beingness licensed by multiple labels, including Achim Szepanski's powerful Force Inc label, which gave Voigt the reach he required to extend his ferment remote of Cologne. After a few more releases as Love Inc., including the New Jack City and R.E.S.P.E.C.T. EPs, he released a full-length Love Inc. album, Life's a Gas.


Even so during the old age following the initial launch of the Trance Atlantic label, Voigt was too recording tracks under other names such as Mike Ink and had stirred to Germany, where he collaborated with Burger, Ingmar Koch, and Cem Oral as the Brotherhood of Structure. As Mike Ink, Voigt recorded tracks for a startling telephone number of modest German labels passim the nineties -- Trance Atlantic, Structure, Mono Tone, DJungle Fever, New Transatlantic, Profan, Eat Raw, Kreisel, and Auftrieb, along with bigger labels such as Warp, Harvest, and Force Inc. Of these Ink recordings, his collaboration with Burger as Burger/Ink, Las Vegas, would finally be licensed to Matador in the U.S., helping counterpane his music to a progressively mainstream American audience.


When he wasn't producing his Mike Ink tracks, Voigt was virtually likely grueling at ferment on one of his many additional side projects. For the second acquittance on the seminal Cologne label Structure, he appeared as M:I:5 with the Structuralism EP, a pretence he would continue to search on Profan, the impressive label he began in 1993 to showcase his ferment. Then after putt out some records as both Love Inc. and Mike Ink on Force Inc., he began cathartic full-length data-based listening albums as Gas for the label. By the end of the nineties, his side projects spiraled ostensibly out of control, as even the most truehearted Voigt fans struggled to keep up with his increasing telephone number of guises, including Strass, Freiland, and Mint.


Following the success of his Profan label, Voigt went ahead in 1995 and began what would become a revolutionary label in the techno residential area: Studio 1. The ten-spot records released here refined the sound of techno to only if its to the highest degree essential components. Next Voigt began the Freiland label to showcase his more abrasive substantial, along with Auftrieb, even so another label for unprocessed sounds. Once Delirium -- the fabled Cologne record store at the center of the city's techno movement since the early '90s -- renamed itself Kompakt in 1998 and brought Voigt's many labels under its wings, the busy creative person attempted unitary last prolific exploit for the terminal twelvemonth of the millennium: he would help impel a tag called Kreisal that aimed to departure a 7" record every week during 1999. After the success of this amazing effort, it became net that though the name Wolfgang Voigt mightiness not be as well known as his many pseudonyms, his contributions to the techno biotic community during its 1990s increase forge were second to none.





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Wednesday, 27 August 2008

How Awesome Will Zhang Yimou�s Olympic Closing Ceremony Be?

Left: the Opening Ceremony. Right, from top: David Beckham, Zhang Yimou, Leona Lewis.Photos: Getty Images




We're pretty sure we haven't watched an Olympics closing ceremony since 1984, when we were 9 and easily amused, but we're sure as hell watching this year's. NBC Sports executive David Neal told the AP that he'd attended a secret rehearsal of the Zhang Yimou�directed spectacular and that it was entertaining and "unlike any other closing ceremony I've ever seen." The ceremony will utilize another 7,000 performers � none of whom, say officials, were in the totally amazing opening ceremony. Sadly, this means no Lang Lang, but maybe they've got a spot for plucky little bucktoothed Yang Peiyi! Also appearing, from London, site of the 2012 games: Leona Lewis and David Beckham.






Nonetheless, we think these are gonna be awesome, and we're definitely watching Sunday night. (Or on the Internet Sunday morning, when they actually happen.) If the ceremony is as good as we think it'll be, we hope the Democrats and Republicans let Zhang Yimou direct their conventions. Could you imagine? Instead of the stupid balloon drop, Zhang would release 2,008 gold-plated doves, which would form a huge donkey in mid-air before assembling themselves into an electoral map. Then thousands of "volunteers" would sprint across the convention floor to clean up after them.



Olympic closing ceremony to feature 7,000 people [AP]



Earlier: Did the Beijing Opening Ceremony Finally Make Opening Ceremonies Cool Again?






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Sunday, 17 August 2008

Mp3 music: Ornette Coleman






Ornette Coleman
   

Artist: Ornette Coleman: mp3 download


   Genre(s): 

Jazz
Other
Avantgarde

   







Ornette Coleman's discography:


Sound Museum (Three Women)
   

 Sound Museum (Three Women)

   Year: 1996   

Tracks: 14
Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd6)
   

 Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd6)

   Year: 1993   

Tracks: 8
Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd5)
   

 Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd5)

   Year: 1993   

Tracks: 7
Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd4)
   

 Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd4)

   Year: 1993   

Tracks: 5
Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd3)
   

 Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd3)

   Year: 1993   

Tracks: 13
Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd2)
   

 Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd2)

   Year: 1993   

Tracks: 12
Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd1)
   

 Beauty Is A Rare Thing: The Complete Atlantic Recordings (cd1)

   Year: 1993   

Tracks: 12
In All Languages
   

 In All Languages

   Year: 1987   

Tracks: 23
Song X
   

 Song X

   Year: 1986   

Tracks: 8
Dancing in Your Head
   

 Dancing in Your Head

   Year: 1973   

Tracks: 3
Skies of America
   

 Skies of America

   Year: 1972   

Tracks: 21
The Complete Science Fiction Sessions (CD 2)
   

 The Complete Science Fiction Sessions (CD 2)

   Year: 1971   

Tracks: 7
The Complete Science Fiction Sessions (CD 1)
   

 The Complete Science Fiction Sessions (CD 1)

   Year: 1971   

Tracks: 12
Science Fiction
   

 Science Fiction

   Year: 1971   

Tracks: 8
Friends and Neighbors
   

 Friends and Neighbors

   Year: 1970   

Tracks: 6
Crisis
   

 Crisis

   Year: 1969   

Tracks: 5
New York Is Now
   

 New York Is Now

   Year: 1968   

Tracks: 6
Love Call
   

 Love Call

   Year: 1968   

Tracks: 7
The Empty Foxhole
   

 The Empty Foxhole

   Year: 1966   

Tracks: 6
1965 - Chappaqua Suite
   

 1965 - Chappaqua Suite

   Year: 1965   

Tracks: 4
Ornette on Tenor
   

 Ornette on Tenor

   Year: 1961   

Tracks: 5
This Is Our Music: Remastered
   

 This Is Our Music: Remastered

   Year: 1960   

Tracks: 7
Giants of Jazz 1960
   

 Giants of Jazz 1960

   Year: 1960   

Tracks: 8
Tomorrow Is the Question!
   

 Tomorrow Is the Question!

   Year: 1959   

Tracks: 9
The Shape of Jazz to Come
   

 The Shape of Jazz to Come

   Year: 1959   

Tracks: 6
Change of the Century
   

 Change of the Century

   Year: 1959   

Tracks: 7
Something Else
   

 Something Else

   Year: 1958   

Tracks: 9
Ken Burns Jazz Series: Ornette Coleman
   

 Ken Burns Jazz Series: Ornette Coleman

   Year:    

Tracks: 11






One of the most important (and controversial) innovators of the nothingness vanguard, Ornette Coleman gained both loyal following and womb-to-tomb detractors when he seemed to burst on the scene in 1959 to the full formed. Although he, and Don Cherry in his original quartette, played curtain raising and closing melodies together, their solos dispensed on the whole with chordal improvisation and concordance, alternatively playing quite a freely off of the mood of the






Thursday, 7 August 2008

Igor Koshkendey

Igor Koshkendey   
Artist: Igor Koshkendey

   Genre(s): 
Ethnic
   



Discography:


Music From Tuva   
 Music From Tuva

   Year: 1998   
Tracks: 14




 






Tuesday, 1 July 2008

Midge Ure And Ultravox

Midge Ure And Ultravox   
Artist: Midge Ure And Ultravox

   Genre(s): 
Other
   



Discography:


Finest (Cd2)   
 Finest (Cd2)

   Year: 2004   
Tracks: 15


Finest (Cd1)   
 Finest (Cd1)

   Year: 2004   
Tracks: 15




 






Wednesday, 25 June 2008

Mr Oizo

Mr Oizo   
Artist: Mr Oizo

   Genre(s): 
Alternative
   Experimental
   



Discography:


Moustache (Half A Scissor)   
 Moustache (Half A Scissor)

   Year: 2005   
Tracks: 17


Stunt   
 Stunt

   Year: 2004   
Tracks: 2


Last Night A DJ Killed My Dog   
 Last Night A DJ Killed My Dog

   Year: 2000   
Tracks: 6


Flat Beat   
 Flat Beat

   Year: 1999   
Tracks: 4


Analog Worms Attack   
 Analog Worms Attack

   Year: 1999   
Tracks: 16




Though it's a sure count he'll linger in the minds of most only for his ubiquitous Levi's advert and 1999 European chart-topper "Monotone Beat," music-video managing director Quentin Dupieux turned in some first-class electronic productions as Mr. Oizo. Far from the madding crowds of ad-oriented hippy trance or jungle, "Flat Beat" was a midtempo techno production with hard deformed effects and a playful nature that fit perfectly with the visual focus, a sock puppet. While still a teenager, Dupieux began directional short films for French television system, and off in no less than ashcan School kit and boodle betwixt 1994 and 1998. His associations with the music world began in 1997, when starring French dance citizen Laurent Garnier serendipitously bought a automobile from Dupieux's sire. Dupieux directed the video recording for Garnier's "Flashback" unmarried, as well as the long-form video Nightmare Sandwiches star and featuring music by Garnier. That year, he too affected into music production, with his debut single "#1" coming into court on Garnier's F Communications label. After the video he (naturally) directed for second single "M-Seq" landed on an ad agency desk, he was tapped to engineer the commercial that launched Levi's vaunted non-denim melody of trousers. The eccentric mention -- featuring a marionette named Flat Eric maniacally bobbing his headway to the medicine in the passenger seat of a Chevelle piece a nonplussed human driver saturated on the route -- shortly became celebrated across Europe, and the single (too on F Communications) strike number unmatched all across the continent. (It eventually sold over two meg copies.) The obligatory full-length Parallel Worms Attack followed in October, and earned American dispersion early the undermentioned year. Dupieux also directed the picture for "Party People" by Alex Gopher.






Tuesday, 24 June 2008

Fox And Itv To Make Tv Shows Together





Twentieth Century Fox Television and British commercial network ITV have reached
an agreement to set up a joint development fund to produce original series that could
air in either the U.S. or Britain -- or both. The deal appeared to have been masterminded by
Lee Bartlett,a former Fox exec who was recently appointed head of global content
at ITV. In an interview with the London Financial Times, Bartlett said, ""From
this development fund, we could actually create scripted formats that could be produ
ced in both countries at the same time. ... There could be differences -- the cast
for the British version could be more British than for the American version -- but
you could be making two series on top of each other, if I can put it like that. That
could get you some pretty good production synergies." Analysts observed that the deal
could be especially advantageous for Fox, given the fact that it allows each company
to use the other's facilities and hire each other's talent. Production costs are
said to be lower in the U.K. than they are in the U.S., and the ability to produce
shows employing British writing and acting talent would give Fox considerable leverage
when it comes time to renew existing labor pacts.






19/06/2008





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