Saturday 6 September 2008

Mp3 music: Wolfgang Voigt






Wolfgang Voigt
   

Artist: Wolfgang Voigt: mp3 download


   Genre(s): 

Techno

   







Wolfgang Voigt's discography:


Diskoschleifen 2000
   

 Diskoschleifen 2000

   Year: 2000   

Tracks: 5
20 Minuten Gas Im November / 20' To 2000.November
   

 20 Minuten Gas Im November / 20' To 2000.November

   Year: 1999   

Tracks: 2






Few artists potty claim to be as prolific as Wolfgang Voigt, an creative person from Cologne, Germany, wHO has recorded diverse styles of techno under more than names than one can buoy envisage. Beginning with the initial success of his Love Inc. caterpillar tread, "Enchantment Atlantic Excess," Voigt has since eclipsed all of his gifted peers by cathartic records at a unrelenting pace. Rather than flooding the techno community with his nonstop releases -- and partially in assistance to the galvanizing potential hearer -- he releases his records under different list calling, making it look as though the burgeoning Cologne scene is a great deal bigger than it real is. Yet no matter how impressive Voigt's production, his importance as an advanced techno producer in the late '90s cannot be unmarked, particularly his experimental Studio 1 records.


Before Voigt became known as Mike Ink, Studio 1, Gas, or M:I:5, he launched fellow Cologne artist Jörg Burger and his Trance Atlantic label in 1991 spell the couple was living in Belgium, with the Love Inc. record "Spell Atlantic Excess" as the low gear acquittance. This particular record reflected the metre washed-out by the couple in England during the late-'80s acid house explosion, demur the two invest their have twist on the acid sound for "Spell Atlantic Excess." This record went on to become a European reach, finally beingness licensed by multiple labels, including Achim Szepanski's powerful Force Inc label, which gave Voigt the reach he required to extend his ferment remote of Cologne. After a few more releases as Love Inc., including the New Jack City and R.E.S.P.E.C.T. EPs, he released a full-length Love Inc. album, Life's a Gas.


Even so during the old age following the initial launch of the Trance Atlantic label, Voigt was too recording tracks under other names such as Mike Ink and had stirred to Germany, where he collaborated with Burger, Ingmar Koch, and Cem Oral as the Brotherhood of Structure. As Mike Ink, Voigt recorded tracks for a startling telephone number of modest German labels passim the nineties -- Trance Atlantic, Structure, Mono Tone, DJungle Fever, New Transatlantic, Profan, Eat Raw, Kreisel, and Auftrieb, along with bigger labels such as Warp, Harvest, and Force Inc. Of these Ink recordings, his collaboration with Burger as Burger/Ink, Las Vegas, would finally be licensed to Matador in the U.S., helping counterpane his music to a progressively mainstream American audience.


When he wasn't producing his Mike Ink tracks, Voigt was virtually likely grueling at ferment on one of his many additional side projects. For the second acquittance on the seminal Cologne label Structure, he appeared as M:I:5 with the Structuralism EP, a pretence he would continue to search on Profan, the impressive label he began in 1993 to showcase his ferment. Then after putt out some records as both Love Inc. and Mike Ink on Force Inc., he began cathartic full-length data-based listening albums as Gas for the label. By the end of the nineties, his side projects spiraled ostensibly out of control, as even the most truehearted Voigt fans struggled to keep up with his increasing telephone number of guises, including Strass, Freiland, and Mint.


Following the success of his Profan label, Voigt went ahead in 1995 and began what would become a revolutionary label in the techno residential area: Studio 1. The ten-spot records released here refined the sound of techno to only if its to the highest degree essential components. Next Voigt began the Freiland label to showcase his more abrasive substantial, along with Auftrieb, even so another label for unprocessed sounds. Once Delirium -- the fabled Cologne record store at the center of the city's techno movement since the early '90s -- renamed itself Kompakt in 1998 and brought Voigt's many labels under its wings, the busy creative person attempted unitary last prolific exploit for the terminal twelvemonth of the millennium: he would help impel a tag called Kreisal that aimed to departure a 7" record every week during 1999. After the success of this amazing effort, it became net that though the name Wolfgang Voigt mightiness not be as well known as his many pseudonyms, his contributions to the techno biotic community during its 1990s increase forge were second to none.





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